Colette - Ilma
Colette - Ilma is an established artist, Colette - Ilma was born in 1941. Artists Georges Autran, William Lennox Bisset, Stanley Dean Edwards, Albert Victorien Breau, and Michel Bret are of the same generation.
Further Biographical Context for Colette - Ilma
Born in 1941, Colette - Ilma was primarily inspired by the 1960s growing up. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism established the crucial idea that art should subsist in its own reality, and not try to mimic the physical world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different regions or countries. Spatialism, for instance, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who strived to depict the raw human emotions often connected to reflections on death and the haunting anxiety of the meaninglessness of life.