1940 · United Kingdom
Clive Barker is regarded as a well established artist, who originates from the United Kingdom. Clive Barker was born in 1940. Artists Howard Hodgkin, Patrick Caulfield, Norman Ackroyd, Gillian Ayres and David Hockney are of the same generation and same country as Clive Barker.
Clive Barker's Gallery representation
Clive Barker's work is available for viewing at Alan Wheatley Art in London, the United Kingdom.
Clive Barker in private collections
Historical Context of United Kingdom
Through colonisation and the resulting ascent of its Empire, the United Kingdom reached the status of a giant, although the wealth and economic power did not shelter it from the apparent cultural supremacy of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a somewhat significant degree outshined by their respective influence on the art of the modern world. But it is towards the end of the nineteenth century that it truly became an essential and crucial agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become fundamental to the further development of bohemian artists movements or other artist-led guilds of the twentieth century. Vorticism is a noteworthy movement, fundamentally distinctive of British modernism, it involved artists known for their association to the Bloomsbury group. A few critically remarkable British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Clive Barker
Clive Barker was born in 1940, grew up during the 1960s and was influenced by the artistic atmosphere of the time. In the art sphere, a multitude of significant changes were also taking place. Pop Art, embracing the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the foundations on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical aspect – aiming for pure visual responses. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, pure lines and geometrical elements. The very first blossoming of Conceptualism was highly influenced by the purity of Minimalism but went further in denying all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to achieve by elevating popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide fame through their depiction of the human form and the anguish often linked to the human condition. Internationally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.
- Galleries Representing this Artist