1959 · United Kingdom
Christopher Cook is an established contemporary artist, who originates from the United Kingdom. Christopher Cook was born in 1959. Also born in the United Kingdom around 1959 and of the same generation are Lubaina Himid, Anish Kapoor and John Akomfrah.
Galleries and Exhibitions
Christopher Cook is represented by RYAN LEE in New York, the United States. Christopher Cook's work has most recently been exhibited at RYAN LEE in New York (11 July 2018 until 10 August 2018) with the exhibition SHADOWS WE RUN FOR.
Historical Context of United Kingdom
Through colonisation and the resulting ascent of its Empire, the United Kingdom reached the status of a giant, although the prosperity and economic power did not shelter it from the apparent cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a rather significant degree eclipsed by their respective impact on the art of the modern world. But it is towards the end of the nineteenth century that it truly became an essential and vital agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become fundamental to the further development of bohemian artists movements or other artist-led organisation of the twentieth century. Vorticism is a significant movement, essentially distinctive of British modernism, it involved artists known for their association to the Bloomsbury group. A few critically acclaimed British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Christopher Cook
Christopher Cook was born in 1959 and was primarily influenced by the 1970s. The art sphere of the 1970s was characterized by a longing to evolve and strengthen itself, as a reaction to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative voyage of Process art emerged by combining essential aspects of Conceptualism with further reflections on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its status, predominantly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York persisted as the most prominent artistic hub of the decade, with international artists wandering through the downtown scene, visiting bars and art galleries, consolidating the idea of New York City as a cosmopolitan and sophisticated cultural capital. Towards the end of the 1970s, street art, developing from graffiti, was starting to truly captivate the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, proving that their artworks could exist at the same time in art galleries and in urban settings. Following, the global extent of street art would become extremely influential, representing an astonishing form of artistic expression.
- Galleries Representing this Artist