1957 · France
Christophe Boutin is an established contemporary visual artist, who originates from France, like other famous artists such as Albert Hirsch, Capucine Vandebrouck, Jean-Léon Gérôme, Céline Duval Documentation, and Jean-François Moriceau. Christophe Boutin was born in 1957.
Christophe Boutin's Gallery representation
Christophe Boutin is represented by Giorgio Persano Torino located in Turin, Italy.
Historical Context of France
France has been an influential nation in the unfolding of modernism. Throughout the 19th century, France fostered the beginnings of what is today known as the avant-garde, including movements such as Impressionism, Post-Impressionism and Art Nouveau, led by critically acclaimed artists. In the first half of the twentieth century, Paris was a fundamental intellectual and cultural centre, establishing cutting-edge movements such as Cubism, Fauvism, Dadaism and Surrealism, amongst others. These movements emerged at the beginning of the century, in the period immediately preceding the Second World War. Major French creative figures from the beginning of the century include Paul Cezanne, Pablo Picasso, Georges Braque (Spanish national who settled in France) Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier amongst a multitude of others.
Further Biographical Context for Christophe Boutin
Born in 1957, Christophe Boutin's creative work was primarily influenced by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the era. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.
- Galleries Representing this Artist