1959 · Denmark
Christian Tangø is a contemporary artist considered well established, who was born in Denmark. Christian Tangø was born in 1959. Some of the artist's contemporarie that are from the same generation and country include Eva Koch and Lise Malinovsky.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, which borders its southern limits. This responsiveness is often mixed with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his wistful and extremely sparse interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's vivid colours and lively childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Christian Tangø
Born in 1959, Christian Tangø grew up during the 1970s and was influenced by the artistic atmosphere of the time. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, including some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. All over, various movements defined the 1970s. Amongst others, feminism and the new radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic pillars of New York city started to embrace painters and sculptors from Latin America.