Choi Chor-Foo is seen as an established artist, Choi Chor-Foo was born in 1942. Also born in 1942 and of this same generation are Carmen Annen-Bonati, Daniel Dezeuze, José Luis Alexanco, Johan Breuker, and Judith Bernstein.
Further Biographical Context for Choi Chor-Foo
Born in 1942, Choi Chor-Foo was predominantly influenced by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop advocated the visual culture of the mainstream and mass media, and of products and consumerism. Artwork by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, taking things like advertising, comic books and ideas surrounding celebrity culture as their main visual inspiration. A parallel movement was established on the West Coast in California - a strain that also related to language in art, and is viewed as the initial blossoming of conceptual art. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key constituents of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the creative concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the angst related to the human condition.