Ching Ho Cheng
1946 - 1989
Further Biographical Context for Ching Ho Cheng
Born in 1946, Ching Ho Cheng's creative work was predominantly influenced by the 1960s. The universal impact of the 1960s was truly astonishing across the globe. Illustrative of a time stirring both faith and anger, the 1960s triggered an outburst of new ideologies and movements, truly sensational and ground-breaking. Historically set in the context of the Cold War, which would have a highly powerful impact globally, largely defined by the Iron Curtain separating Europe both physically and spiritually, and significantly marked by the erection of the Berlin Wall in 1961. The 1960s re-defined all pre-existing assumptions on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The significant boom of mass consumerism also defined the era, engendering new trends in marketing and advertising. Minimalism developed the crucial idea that art should exist in its own reality, and not try to mimic the real world. Born of a desire to erase all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, simultaneously critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different areas or countries. Spatialism, for instance, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the ideologies of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the lingering anxiety of the meaninglessness of life.