Cheung Christopher Harmon
Cheung Christopher Harmon is seen as an established artist, Cheung Christopher Harmon was born in 1945. Artists born in the same year and of the same generation are Arthur Cohen, Ann Christensen, Adilson Costa Carvalho, Chen Zhiliang, and Antonio Cersosimo.
Further Biographical Context for Cheung Christopher Harmon
Born in 1945, Cheung Christopher Harmon was predominantly influenced by the 1960s. In the art world, a multitude of significant changes were also taking place. Pop Art, embracing the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the foundations on which the creation and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical aspect – aspiring to pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, clean lines and geometrical elements. The very first flourishing of Conceptualism was significantly influenced by the simplicity of Minimalism but went further in rejecting all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily seduced by the ideas of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often associated with the human condition. worldwide, an important number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.