Chen Tsu-Ming is an established contemporary visual artist, Chen Tsu-Ming was born in 1948. Also born in 1948 and of this same generation are Roposie Alivaktuk, Sung-Hy Shin, Luiz De Alphonsus Guimaraens, Tomás Sánchez, and Matt Anderson.
Further Biographical Context for Chen Tsu-Ming
Chen Tsu-Ming was born in 1948 was as deeply indebted to the events of the 1960s as their formative influences. The 1960s were a sensational decade internationally, witnessing a great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key components of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive ideas of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the artistic concerns of the above mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the angst related to the human condition.