Chen Shaoji is seen as an established contemporary artist, Chen Shaoji was born in 1945. Artists Cheryl Braganza, Angelo Bettin, Allan Bridge, Noël Dolla, and Charley Brown are of the same generation.
Further Biographical Context for Chen Shaoji
Born in 1945, Chen Shaoji grew up during the 1960s and was inspired by the artistic culture of the time. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing concurrently as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should exist in its own reality, and not try to mimic the real world. Born of a desire to obliterate all pre-established notions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental ideologies of Abstract Expressionism, while eliminating the emotional and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different areas or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who sought to depict the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.