Chen Ruixian is an established contemporary visual artist, Chen Ruixian was born in 1943. Artists like Michael Asher, Ali Chams, Nita Bertaudière, Jim Bones, and Angelo Brun Del Re were also born in 1943.
Further Biographical Context for Chen Ruixian
Chen Ruixian was born in 1943, grew up during the 1960s and was inspired by the artistic culture of the time. The 1960s were a sensational decade internationally, bearing witness to proliferation of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive philosophies of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the creative concerns of the previously mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the anguish related to the human condition.