Chang Weizhen is an established contemporary visual artist, Chang Weizhen was born in 1947. Artists born in the same year and of the same generation are Gladys Ayub, Meuser , Billy Schenck, Craig Barber, and Moreira Aguiar.
Further Biographical Context for Chang Weizhen
Born in 1947, Chang Weizhen was largely inspired by the 1960s. The 1960s were an explosive decade internationally, bearing witness to proliferation of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Around the world a number of artistic movements echoed the artistic concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinctive approaches to the human form and the angst related to the human condition.