1955 · Netherlands
Cathalijn Wouters is regarded as a well established artist, who originates from the Netherlands, like other prominent artists such as Pascale Portanger, Perter Vanbeek, Floor Van Keulen, Martine Johanna, and Martijn Hendriks. Cathalijn Wouters was born in 1955.
Cathalijn Wouters' exhibition
Historical Context of Netherlands
The Netherlands has been established as an artistic and cultural centre for centuries, for instance through the global influence of celebrated artists such as Jan van Eyck in the fifteenth century. In the 1600s, the Dutch Golden Age saw the emergence of such illustrious artists as Rembrandt, Rubens, Vermeer, Van Dyck and Van Ruisdael. Dutch artist Vincent Van Gogh is considered as one of the most significant forerunners of the post-Impressionist era and is seen today as an extraordinary, outstanding painter that has influenced the art sphere regardless of any era or movement. At first established as a magazine, De Stijl was a movement that pioneered abstract art in the Netherlands, led by Piet Mondrian and Theo van Doesberg. De Stijl artists would espouse a visual language solely composed of geometrical shapes, and the movement also had a profound influence on modern architecture as well as design. Gerrit Rietveld was a powerful architect and designer who embraced the ideals and the essence of De Stijl in his work. Willem de Kooning was also a Dutch national, though he migrated to the United States in the earlier years of his life, and his work was predominantly influenced by the Abstract Expressionism movement thriving in New York City in the late 1940s and 1950s.
Further Biographical Context for Cathalijn Wouters
Born in 1955, Cathalijn Wouters was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the era. Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could exist at the same time in art galleries and on city walls. Fuelled by graffiti art, street art from its earliest days proved that it could endure in a perpetual flux of self-transformation, endlessly shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre.
- Galleries Representing this Artist