1954 · Italy
Carlo Guaita is a contemporary artist considered well established, who originates from Italy, like other well-known artists such as Diego Esposito, Gino Meloni, Gio Schiano, Franco Guerzoni, and Giorgio Vigna. Carlo Guaita was born in 1954.
Galleries and Exhibitions
Carlo Guaita is represented by several galleries around the world, including countries like France and Italy. Some of those galleries are Galerie Bernard Bouche in Paris, Rita Urso Artopia Gallery in Milan, as well as Galleria Gentili in Firenze. Carlo Guaita's work has most recently been displayed during the exhibition Group Exhibition at Galerie Bernard Bouche in Paris, France. The exhibition was open from 15 March 2019 until 10 May 2019.
Historical Context of Italy
The classical period of the Romans has exerted a consequential influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its sumptuous artistic heritage. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which signifies “rebirth”. From the early 1400s, the Renaissance has been an intense era of cultural and political flourishing, inducing revivals in art, architecture, music, poetry and philosophy. Although greatly tormented by the fascism of Mussolini in the modern and contemporary era, Italy has never lost its place as one of the most essential artistic centres, home to pioneering movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly eminent Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Carlo Guaita
Carlo Guaita was born in 1954 and was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the generation. Street art started to emerge as a true and recognized form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could subsist at the same time in art galleries and on city walls. Driven by graffiti art, street art from its earliest days proved that it could endure in a unceasing flux of self-transformation, eternally shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre.