Cao Yong

1954

Artist biography

Cao Yong is a contemporary artist considered well established, Cao Yong was born in 1954. Also born in 1954 and of this same generation are Antonio Civantos, De Maria Nicola, Noel Guzmán Boffill Rojas, Marie-Josée Boerenkamp, and Wilhelm Bronner.

Further Biographical Context for Cao Yong

Cao Yong was born in 1954 and was largely influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.

Cao Yong

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