Cao Hanzhang is an established contemporary artist, Cao Hanzhang was born in 1949. Also born in 1949 and of this same generation are Simon Bocanegra, Scot Sothern, Papo De Asis, Anney Bonney, and Alfonso Baldari.
Further Biographical Context for Cao Hanzhang
Born in 1949, Cao Hanzhang's creative work was primarily influenced by the 1960s. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism established the crucial idea that art should subsist in its own reality, and not try to mimic the physical world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the emotional and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the philosophy of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.