1985 · United Kingdom
Camilla Wills is an established mid-career contemporary artist, who was born in the the United Kingdom, like other famous artists such as Reg Bunn, Norman Whitehead, Marion Adnams, Simon Averill, and William Cooke. Camilla Wills was born in 1985.
Galleries and Exhibitions
Camilla Wills is represented by two galleries, Laure Genillard and Gaudel de Stampa in Paris, the United Kingdom and France respectively. Camilla Wills' work has most recently been displayed during the exhibition Art-O-Rama at Gaudel de Stampa in Paris, France. The exhibition was open from 25 August 2017 until 27 August 2017. Camilla Wills' other most recent exhibitions listed on Artland include the exhibitions at Gaudel de Stampa in Paris (13 June 2017 - 18 June 2017) with the name Liste 22 and Galerie Francesca Pia in Zurich (12 April 2019 - 24 May 2019) with the name ABSOLUTE THRESHOLDS.
Historical Context of United Kingdom
Through colonisation and the resulting ascent of its Empire, the United Kingdom reached the status of a giant, although the prosperity and economic power did not shelter it from the apparent cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a rather significant extent outshined by their respective impact on the art of the modern world. But it is towards the end of the nineteenth century that it truly became an essential and vital agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led organisation of the twentieth century.
Vorticism is a noteworthy movement, fundamentally characteristic of British modernism, it involved artists known for their affiliation to the Bloomsbury group. A few critically remarkable British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Camilla Wills
Camilla Wills was born in 1985 and was primarily influenced creatively by the 1990s. A group of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most famous member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an attitude that was defiant yet commercial. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’.
Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this outline.
The art world was influenced by many trends throughout the decade, and was characterised by the derisive sculpture of Maurizio Cattelan, and sensitive, conceptual advancements as shown in the work of artists such as Felix Gonzalez-Torres.
Conceptual photography began to gain popularity, and was particularly inspired by German ideas and artists. German artists like Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained international recognition, and in turn artists such as the Canadian Jeff Wall created images with a cinematic quality that was inspired by the German artists’ work. In terms of painting, Albert Oehlen and Martin Kippenberger secured influential status in the artistic community.
In Japan, a trend began to develop in response to the boom in advertising and consumerism that took place during the 1980s. The comic book culture of manga appeared as an art form, and was allied to trends in advertising and graphic design. One of the prominent contemporary Japanese artists was Takashi Murakami, who coined the term ‘Superflat’, a theory influenced by the aesthetic characteristics of manga and the nature of post-war Japanese culture. Having been inspired by his experiences in New York City in the mid-1990s, Murakami formed an influential group of artists called Kaikai Kiki, which became internationally recognised in a number of countries.