1950 · United States
Bruce Wrighton is an established contemporary visual artist, who was born in the United States. Bruce Wrighton was born in 1950. Born in the same country and around the same year are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Two galleries around the world represent and exhibit Bruce Wrighton's work, which are Les Douches la Galerie in Paris, France and Laurence Miller Gallery in New York, the United States. Bruce Wrighton's work has most recently been exhibited at Laurence Miller Gallery in New York (11 September 2019 until 15 November 2019) with the exhibition Betwixt and between. Bruce Wrighton's only other exhibition is Studio Photography: 1887–2019, 2019, which took place at Simon Lee | New York in the United States (26 June 2019 - 15 August 2019).
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural prominence of New York assumed primacy over Paris, previously thought of as the most important art hub in the world. Leading art movements established and cultivated in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern echoes of these many types. In the modern and contemporary period, the United States has exercised a prevailing influence over the global visual culture, due to the authority of its economic and political structures. Key examples of important U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Bruce Wrighton
Born in 1950, Bruce Wrighton was primarily inspired by the 1970s. The art sphere of the 1970s was characterized by a longing to evolve and reinforce itself, as a response to the many conflicts of the previous decade. One of the most important movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative voyage of Process art emerged by combining essential features of Conceptualism with further reflections on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its status, especially in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained highly influential and admired throughout the 1970s. Andy Warhol, for instance, secured his status as a legendary artist, by bifurcating into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such fame. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideologies of phenomenology, allied with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to give life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency.