1951 · United States
Brian Maguire is an established contemporary artist, who was born and brought up in the United States. Brian Maguire was born in 1951. Some of the artist's contemporaries that are born around the same year and in the same country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
Brian Maguire is represented by two galleries, which are Alice Black in the United Kingdom and Fergus McCaffrey | New York in the United States. Brian Maguire's work has most recently been displayed during the exhibition Conflicts of Interest at Alice Black in London, the United Kingdom. The exhibition was open from 03 April 2019 until 27 June 2019.
Historical Context of United States
The United States has been key in the evolution of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural importance of New York assumed primacy over Paris, formerly considered as the most important art hub globally. Leading art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary sphere, the United States has cultivated a powerful influence upon the worldwide visual culture, due to the hegemony of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Brian Maguire
Brian Maguire was born in 1951, grew up during the 1970s and was influenced by the artistic culture of the time. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the generation. The Arte Povera movement, which appeared in Italy, received global distinction in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were praised.