1950 · United States
Brad Miller is seen as an established artist, who was born and brought up in the United States. Brad Miller was born in 1950. Born in the same country and of the same generation are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Brad Miller's Gallery representation
Brad Miller's work is available for viewing at Edward Cella Art + Architecture in Los Angeles, the United States.
Historical Context of United States
The US, especially New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art hub appeared in the post war era, and the city succeeded in asserting its supremacy over Paris, which used to be considered as the most powerful international art centre. The predominance of the political and economic structures of the United States in the modern era has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that blossomed in the United States. These very movements also echoed into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally distinguished U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Brad Miller
Brad Miller was born in 1950 and was primarily influenced by the 1960s. In the art world, a multitude of significant changes were also taking place. Pop Art, adopting the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the creation and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aspiring to pure visual responses. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, clean lines and geometrical elements. The very first flourishing of Conceptualism was significantly influenced by the purity of Minimalism but went further in denying all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to attain, by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily seduced by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often linked to the human condition. worldwide, a significant number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.
- Galleries Representing this Artist