1950 · Denmark
Bernhard Lipsøe is a contemporary artist considered well established, who was born and brought up in Denmark. Bernhard Lipsøe was born in 1950. Some of the artist's contemporarie that are from the same generation and country include Eva Koch and Lise Malinovsky.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern frontiers. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his melancholic and extremely sparse interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Bernhard Lipsøe
Bernhard Lipsøe was born in 1950 and was primarily influenced by the 1960s growing up. The universal impact of the 1960s was truly astonishing across the globe. Illustrative of a time inspiring both hope and anger, the 1960s triggered an outburst of cutting-edge philosophies and movements, truly sensational and ground-breaking. Historically established in the context of the Cold War, which would have a highly influential impact internationally, largely defined by the Iron Curtain separating Europe both physically and spiritually, and drastically marked by the construction of the Berlin Wall in 1961. The 1960s re-defined all pre-existing expectations on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The significant boom of mass consumerism also defined the era, engendering new trends in marketing and advertising. Minimalism developed the central idea that art should exist in its own reality, and not try to represent the physical world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental philosophies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different regions or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often connected to reflections on death and the haunting anxiety of the meaninglessness of life.