Antonio Citterio is a contemporary artist considered well established, Antonio Citterio was born in 1950. Artists Moke, Joachim Schumacher, Antonio Barrani, Dolph Kessler, and Joe Eugene B. Baatsoslanii are of the same generation.
Further Biographical Context for Antonio Citterio
Born in 1950, Antonio Citterio was largely influenced by the 1960s. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism established the crucial idea that art should exist in its own reality, and not try to mimic the real world. Born of a desire to erase all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the ideologies of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the haunting anxiety of the meaninglessness of life.