1987 · United States
Antone Könst is a young emerging artist, who originates from the United States, like other celebrated artists such as Dan Torop, Robert Harms, Steven Arnold, Edward Quist, and Sonia Gechtoff. Antone Könst was born in 1987.
Antone Könst's work has most recently been displayed during the exhibition Wirrwarr at Anton Kern Gallery in New York, the United States. The exhibition was open from 12 September 2019 until 01 November 2019. Antone Könst's work has also been exhibited during the Nineteen Nineties & Love & Fear exhibition at Tilton Gallery in New York, the United States (10 September 2019 - 25 October 2019).
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural prominence of New York asserted its influence over Paris, formerly considered as the most important art centre globally. Leading art movements established and fostered in extensive ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern repetitions of these many types. In the modern and contemporary age, the United States has cultivated a prevailing influence upon the global visual culture, due to the authority of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Antone Könst
Antone Könst was born in 1987, grew up during the 1990s and was inspired by the artistic culture of the time. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this outline.