1947 · United States
Anthony Hernandez is a contemporary artist considered well established, who originates from the United States. Anthony Hernandez was born in 1947. Also born in the United States around 1947 and of the same generation are Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Galleries and Exhibitions
Anthony Hernandez' work is on display at Galerie Thomas Zander located in Cologne, Germany. Anthony Hernandez' work has most recently been displayed during the exhibition SCREENED PICTURES at Kayne Griffin Corcoran in Los Angeles, the United States. The exhibition was open from 12 July 2019 until 30 August 2019.
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural importance of New York asserted its influence over Paris, formerly considered as the most important art centre internationally. Leading art movements established and cultivated in important ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern iterations of these many types. In the modern and contemporary sphere, the United States has exercised a prevailing influence upon the visual culture of the World, due to the hegemony of its economic and political systems. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Anthony Hernandez
Born in 1947, Anthony Hernandez was primarily inspired by the 1960s. In the art world, a multitude of powerful changes were also taking place. Pop Art, adopting the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the foundations on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical aspect – aspiring to pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. The very first flourishing of Conceptualism was highly influenced by the simplicity of Minimalism but went further in rejecting all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to attain, by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. worldwide, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.
- Galleries Representing this Artist