Anthony Clark is seen as an established contemporary artist, Anthony Clark was born in 1942. Artists like Robert Bauer, Eduard Angeli, Isa Aupalukta, Stephen Bartlett, and Inge Aspetsperger-Vavra were also born in 1942.
Further Biographical Context for Anthony Clark
Born in 1942, Anthony Clark's creative work was largely influenced by the 1960s. The 1960s were a sensational decade internationally, bearing witness to proliferation of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key constituents of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Globally, a number of artistic movements echoed the creative concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.