1977 · Denmark
Annesofie Sandal is an established mid-career contemporary artist, who was born and brought up in Denmark. Annesofie Sandal was born in 1977. Born in the same country and of the same generation are Jeppe Hein and Jesper Just.
Annesofie Sandal in private collections
There are two collectors in possession of works by Annesofie Sandal at Artland. These collectors include Stine Maria Larsen and mnoermark, who also has works by other artists including Sarah Derat, Michele Gabriele, and Liam Fallon.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often combined with the Nordic traits of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his wistful and extremely sparse interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in modest, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and lively childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Annesofie Sandal
Annesofie Sandal was born in 1977 and was primarily inspired by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a controversial public image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a leading idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this idea.