1956 · United States
Ann Hamilton is an established contemporary visual artist, who originates from the United States. Ann Hamilton was born in 1956. Some of the artist's contemporarie that are from the same generation and country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Ann Hamilton's work is on display in multiple galleries around the world, in countries like Spain and the United States. The galleries exhibiting Ann Hamilton's work include Galería La Caja Negra in Madrid, Long-Sharp Gallery Project Space in New York, as well as Anglim Gilbert Gallery in San Francisco.
Historical Context of United States
The United States, in particular New York city, remains as a central point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art centre appeared in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be considered as the most powerful international art centre. The authority of the political and economic structures of the United States in the modern sphere has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that flourished in the US. These very movements also reverberated into a multitude of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Ann Hamilton
Born in 1956, Ann Hamilton was largely influenced by the 1970s growing up. The 1970s were a period of consolidation and growth in the arts, most often characterised as a response to the dominant strains of the previous decade. Conceptual art emerged as a influential movement, a partial evolution of and response to minimalism. Land Art took the artwork into the extensive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating mysterious and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. Many of the artists who became so famous and successful in the 1960s remained dominant figures. For example, Andy Warhol branched out into film and magazine publishing, the first type of cross cultural activity for a visual artist. This secured his reputation as a major international celebrity in his own right. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists including Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and guaranteeing that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully emerge and dominate throughout the following decade.