1948 · Italy
Angelo Brescianini is a contemporary artist considered well established, who originates from Italy, like other well-known artists such as Michael Fliri, Alessandra Calò, Italo Bressan, Edoardo Caimi, and Icaro Paolo. Angelo Brescianini was born in 1948.
Angelo Brescianini's work is available on display in several galleries recorded on Artland. Some of those galleries are Colossi Arte Contemporanea in Brescia, Andrea Ingenito Contemporary Art in Milan, as well as Aria Art Gallery in Florence.
Historical Context of Italy
The classical period of the Romans has exerted a consequential influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its immense artistic heritage. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which translates to “rebirth”. From the early 1400s, the Renaissance has been an intense period of cultural and political flourishing, engendering revivals in art, architecture, music, poetry and philosophy. Although significantly tormented by the fascism of Mussolini in the modern and contemporary era, Italy has never lost its place as one of the most powerful artistic centres, home to cutting-edge movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Angelo Brescianini
Angelo Brescianini was born in 1948 and was primarily influenced by the 1960s. The universal impact of the 1960s was truly sensational across the globe. Evocative of a time stirring both faith and anger, the 1960s prompted an explosion of new ideologies and movements, truly exciting and spectacular. Historically established in the context of the Cold War, which would have a highly influential impact internationally, mainly defined by the Iron Curtain dividing Europe both physically and spiritually, and significantly marked by the erection of the Berlin Wall in 1961. The 1960s re-defined all pre-existing assumptions on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The significant escalation of mass consumerism also defined the era, generating new trends in marketing and advertising. Minimalism established the crucial idea that art should subsist in its own reality, and not try to mimic the real world. Born of a desire to obliterate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental philosophies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, particular to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the ideologies of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the lingering angst of the meaninglessness of life.