1903 · United States
Alfred Jensen is seen as an established contemporary artist, who originates from the United States. Alfred Jensen was born in 1903. Born in the same country and around the same year are Franz Kline, Walker Evans, Lee Krasner, Willem de Kooning and Arshile Gorky.
Galleries and Exhibitions
Alfred Jensen is represented and exhibited by two galleries, which are PACE | New York and Hollis Taggart Galleries in the United States. Alfred Jensen most recent exhibition recorded on Artland was at Michael Rosenfeld Gallery in New York (03 February 2020 until 27 March 2020) with the exhibition Paper Power.
Historical Context of United States
The US, especially New York city, remains as a central point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art hub emerged in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be considered as the most powerful global art capital. The predominance of the political and economic structures of the United States in the modern sphere has granted the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that emerged in the US. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Alfred Jensen
Born in 1903, Alfred Jensen was predominantly influenced by the 1920s. The 1920s and 1930s saw continued development and evolution of the key innovations of the early years of the twentieth century. To have this time as the formative period for an artist was to be surrounded by incredible practitioners of the pictorial arts. It was also a time of recovery and introspection after the horrors of the First World War, which saw important shifts in the political world. Marxism was a predominant political ideology which was also particularly influential amongst artists and their communities. The Bauhaus was founded in 1919, and became an indispensable place surrounding notions in favour of the unification of art, craft and design disciplines – an idea that became known as the Gesamtkunstwerk. Surrealism came to be the key expressive mode of the 1920s, and was aided by the liberalism of Germany’s Weimar Republic, which was an environment that allowed for remarkable creative flowering.