1982 · France
Agnieszka Ryszkiewicz is a mid-career contemporary visual artist, who was born in France, like other well-known artists such as Germaine Gardey, Daniel Flammer, Clémence De La Tour Du Pin, We Are The Painters, and Jonathan Binet. Agnieszka Ryszkiewicz was born in 1982.
Agnieszka Ryszkiewicz' Gallery representation
Agnieszka Ryszkiewicz' work is on display at Galerie Maria Lund in Paris, France.
Historical Context of France
France has been a significant country in the development of modernism. Throughout the 19th century, France fostered the beginnings of what is currently known as the avant-garde, with movements such as Impressionism, Post-Impressionism and Art Nouveau, led by world renowned artists. In the first half of the 20th century, Paris was an essential intellectual and cultural centre, originating cutting-edge movements such as Cubism, Fauvism, Dadaism and Surrealism, amongst others. These movements emerged at the beginning of the century, in the period immediately preceding the Second World War. Dominant French creative figures from the beginning of the century include Paul Cezanne, Pablo Picasso, Georges Braque (Spanish national who settled in France) Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier amidst a multitude of others.
Further Biographical Context for Agnieszka Ryszkiewicz
Agnieszka Ryszkiewicz was born in 1982 and was predominantly inspired creatively by the 1990s growing up. A group of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied group of practitioners. Many of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most well known member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became known for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was rebellious yet commercial. Due to the large amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. The art world was influenced by a number of trends throughout the decade, and was characterised by the derisive sculpture of Maurizio Cattelan, and sensitive, conceptual advancements as shown in the work of artists including Felix Gonzalez-Torres.
- Galleries Representing this Artist